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SELECTED CHRONOLOGY |
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1939 |
Birmingham, United Kingdom |
| 1956 - 60 | Birmingham College of Art |
| 1967 - 69 | Gregory Fellow, Artist in Residence, Leeds University, UK |
| 1968 | Hayward Gallery, London, UK |
| 1969 |
Leeds City Art Gallery, UK |
| 1970 - 72 | Harkness Fellowship, New York |
| 1972 |
Venice Biennale XXXVI, British Pavilion, Italy |
| 1973,75,77,78 | Nigel Greenwood, Inc., London, UK |
| 1973,75,78,81,82 |
Cunningham Ward, Inc., New York |
| 1974 | Museum of Modern Art, New York |
| 1976 | Reed College, Portland, Oregon |
| 1977 - 78 | Artist-in-Residence, University of Oxford, St. Catherine’s College, UK |
| 1978 |
The Phillips Collection, Washington, D.C. Museum of Modern Art, Oxford, UK Gallery of New South Wales, Sydney, Australia |
| 1979 |
Artist-in-Residence, Monash University, Melbourne, Australia Herter Art Gallery, University of Massachusetts, Amherst, Massachusetts List Art Center, Brown University, Providence, Rhode Island Rose Art Museum, Brandeis University, Waltham, Massachusetts |
| 1981 | John Simon Guggenheim Memorial Foundation Fellowship |
| 1982 |
Phillips Collection, Washington, D.C. |
| 1982 - 86 | Dean, School of Art, Victoria College of the Arts, Sydney, Australia |
| 1983 - 84 | Knoedler & Company, New York |
| 1985 |
Hayward Gallery, London, UK Tate Gallery, London, UK |
| 1986 - 87 | Knoedler & Company, New York |
| 1987 |
L.A. Louver Gallery, Venice, California National Gallery of Victoria, Australia |
| 1988 | John Berggruen Gallery, San Francisco, California |
| 1990,91 | Knoedler & Company, New York |
| 1991 | Arts Club of Chicago, Illinois |
| 1992 | Hill Gallery, Birmingham, Michigan |
| 1993 | Knoedler & Company, New York |
| 1993 - Present | Head of Graduale School for Painting, Boston University |
| 1993,94,97,98 | Nielson Gallery, Boston, Massachusetts |
| 1997 |
Boston University Art Gallery, Massachusetts; Bemis Center for Contemporary Art, Omaha, Nebraska; Frances Lehman Loeb Art Center, Poughkeepsie, New York; University of Tampa, Lee Scarfone Gallery, Florida; Yale University Center for British Art, New Haven, Connecticut |
| 1999 | Yale University Center for British Art, New Haven, Connecticut |
| 2001 |
Bowdoin College Museum of Art, Brunswick, Maine Knoedler & Company, New York Neilson Gallery, Boston, Massachusetts |
| 2002 |
Wiegand Gallery, Norte Dame de Namur University, Belmont, California University of Cincinnati, DAAP Galleries, Ohio The Phillips Collection, Washington, D.C. |
| 2003 | Knoedler & Company, New York |
| 2004 |
John Walker: A Winter in Maine, Center for Maine Contemporary Art, Rockport, Traveled to: March Heat, Neilson Gallery, Boston, Massachusetts Art & The 60s: This Was Tomorrow. Tate Britain, London. Catalogue with text by Chris Stephens and Katharine Stout. American Academy Invitational Exhibition of Painting & Sculpture, American Academy of Arts and Letters, New York, NY |
| 2005 | The Continuous Mark: 40 Years of the New York Studio School. The New York Studio School, New York, Jennifer Samet, guest curator. John Walker: New Work, The Pierrepont Gallery, Bridport, West Dorset, England (solo) John Walker: Works on Paper, Portland Museum of Art, Maine. Traveled to Luther W. Brady Art Gallery, The George Washington University, Washington, D.C. Catalogue with text by Ruth Fine. (solo) |
| 2006 | John Walker: Seal Point Series, Nielsen Gallery, Boston, Massachusetts (solo) John Walker: Passing Bells, Danforth Museum of Art, Framingham, Massachusetts (solo) John Walker: Seal Point Series, Knoedler & Company, New York (solo) John Walker: Selected Work, Marist College Art Gallery, Poughkeepsie, New York (solo) Reverence: Awe, Admiration, Love, Devotion, Honor, Respect, Hudson Valley Center for Contemporary Art, Peekskill, NY Against the Grain: Contemporary Art from the Edward R. Broida Collection, The Museum of Modern Art, New York |
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